Agustín Hernández was a visionary of modern Mexican architecture — a master of monumental form, symbolic geometry, and structural innovation. His work bridges the pre-Hispanic and the futuristic, shaping bold, expressive buildings that feel both grounded in heritage and radically forward-thinking.

Projects like the Escuela del Ballet Folklórico, the Calakmul Corporate Center, and his own studio reflect a design language where structure becomes symbol — and architecture, a vessel of identity. This same language extended into his furniture design, where chairs like the Gala became sculptural distillations of his spatial thinking — works that carried the same conceptual force and geometric clarity as his buildings, scaled for the body.